Hairy who

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Gladys Nilsson with cover of Hairy Who exhibit catalog, Photo by Bill Arsenault. That silly kid joke is the text on a cocktail napkin used at a Hyde Park Art Center exhibition in

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Sign in. Watch now. Chicago-Style Modern Art with Everything!

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Inspired by comic-book art, sign-painting techniques and vernacular culture, each artist embraced their distinctive talents and made personal works that impart a sense of humor, usually rendered with bright hues and bizarre detail. Photograph: Courtesy the Art Institute of Chicago. Sign up here to stay in the know.

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Immersive, wild, and irreverent, these shows struck a chord with the changing society and art world of the late s. Calling themselves the Hairy Who, the artists subverted the group exhibition format by drawing attention to their individual talent and skill through comic-like exhibition catalogs and promotional posters. Who is this guy?

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Ruth Lopez. They created colourful, graphic work dominated by distorted, often ribald figures. Although they were active as a loose collective for only three years, they had a significant influence on younger artists in the city and the development of the Chicago Imagists.

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The exhibition consists of works from the permanent collection at the Art Institute of Chicago and over 70 other museums and private collections. While the six members of the Hairy Who have produced over 50 years worth of work, Hairy Who? The show is broken up into two main viewing areas.

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We use our own and third party cookies to enable you to navigate around our site, use its features, engage on social media, allow us to perform analytics and remember your preferences. By continuing to use our site, you consent to our use of cookies and to the practices described in our updated Privacy Policy. Half a century on, we are having a Hairy Who moment.

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Then, after six exhibitions together, they broke up. Hairy Who? On the strength of these shows, the group seems to have emerged fully formed, with each member working a complementary aesthetic.

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Art Institute of Chicago Hairy Who? The question mark in the title of the exhibition, Hairy Who? Organized sequentially, the shows unfolded with arrangements of work, in some cases not seen together since their original presentation.

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Their work was known for grotesquerie, surrealism and complete uninvolvement with New York art world trends. Critic Ken Johnson referred to Chicago Imagism as "the postwar tradition of fantasy-based art making. They were given their name in by critic and Monster Roster member, Franz Schulze [3].


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